She’s been having trouble finding that material ever since. As for Aguilera, it’s been 10 years since she scored a true hit off one of her own albums with the title track from 2008’s Keeps Gettin’ Better: A Decade Of Hits, a set that now stands as a reminder of what a powerhouse she can be when turned lose on the right material.

Even Timberlake, who hit #1 with “Can’t Stop The Feeling!” two years ago and sold many copies of Man Of The Woods this past winter, has not been his usual radio-defining self this album cycle. Just ask Carey - or Spears, who narrowly missed the top 10 for the first time with 2013’s Britney Jean (“Work Bitch” topped out at #12) and made even less of an impact with 2016’s Glory. Like Mariah Carey with a deeper timbre, she seemed suited to keep howling away on hits for years to come.īut even the most resilient pop stars run out of hits eventually.

Xtina was the best singer in that TRL-era scene, blessed with a churchy power and grit that translated equally well to ballads like “Beautiful,” rockers like “Fighter,” and retro party-starters like “Ain’t No Other Man” and “Come On Over (All I Want Is You).” More so than many of her peers, girl could really let it rip. And Aguilera held onto the spotlight well into this decade through collaborations with Maroon 5 (“Moves Like Jagger”), Pitbull (“Feel This Moment”), and A Great Big World (“Say Something”). Timberlake twice took off long stretches between albums then returned to dominate at will.

Spears survived her period of mid-aughts tumult and found an EDM-era second wind. Long after most of their peers found alternate careers in show business or disappeared from pop culture entirely, these artists kept sending singles to the top 10. Along with her fellow ex-Mousketeers Britney Spears and Justin Timberlake, Christina Aguilera proved to be one of the most durable hit-makers of the Y2K-era teen-pop explosion.

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